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Most notably, in the Spring of 2015 Anthony made an exciting return to Teatro alla Scala, starring in the world premiere of Giorgio Battistelli's C02 based on Al Gore's An Inconvenient Truth. Schedule highlights in recent seasons have included 2 world premiere operas, plus numerous house and role debuts. In a performing career spanning 30 years Anthony has distinguished himself as a specialist in Verdi and Puccini roles, most renowned for his portrayals of Rigoletto, Falstaff, Simon Boccanegra, Iago in Otello, Germont in La traviata, Sharpless in Madama Butterfly, and Scarpia in Tosca. Michaels-Moore has appeared at the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Santa Fe Opera, Pittsburgh Opera, Canadian Opera Company, Opéra de Montréal, the historic Teatro Colon in Buenos Aires, and numerous others. Opera News has praised Anthony with having "one of the most the most gorgeous voices on the stage today.His sound has a real presence and its honeyed opulence dominated every scene in which he appeared." Equally in demand in North America, Mr. His home theatre for over fifteen years was the Royal Opera House, Covent Garden, where his performances in leading roles totals more than 300. Grammy-nominated Baritone Anthony Michaels-Moore was the first British winner of the Luciano Pavarotti Competition (1985) and has since performed in all of the world’s major opera houses including Wiener Staatsoper, Teatro alla Scala, Opéra National de Paris, Théâtre du Châtelet, Théatre des Champs Elysées, Théâtre du Capitole Toulouse, Bayerische Staatsoper, Deutsche Oper Berlin, Staatsoper Berlin, Opernhaus Zürich, Gran Teatre del Liceu, Grand Théâtre de Genève, La Monnaie, and Teatro Real in Madrid. ![]() The exclusions are closing extensible options, that don’t need to be part of the core. If there was a linkage method (metadata) then the project management entities could be added by an app developer as a large part of project management is collating metrics against entities, this is try of a plethora of apps.Ĭurrently tags are part of the core but actually they are purely another entity type, but for some reason have preference and difference over the others as they are core, I just don’t get it as the app is provided rather than the common method. ![]() There is very little core work to be done, apart from dictating a common method for linkage. The most convenient way to view, track, and work with the critical path is to use a Gantt chart maker. Also, note that critical path method in project management is based on this technique. ![]() The app provided json for entity iteration and field retrieval dictated for next release and it would open up the app market and create a more extensible system with lower development overheads when creating linkages between entities and reducing the isolation between apps. Pay attention that even a single task from a project can make the critical path. Its the same method to link a contact to an event, task or note and because it is a common method, that is the reason it should be in the core.Īll we are missing is a table of left_entity_id, left_entity_type, right_entity_id, right_entity_type. Simple things like linking a contact to a folder or files, should be the same as an event, task, user, contact or note and its the same mechanism and it just doesn’t make sense for each app developer to provide this. If it was part of the core and a requirement for app developers to register entities types and provide a json for iteration and retrieval, then it all becomes standard and quite easy to accomplish.Įach app currently provides bespoke methods for file system relationships and each app is an an island of excellence, but poorer because of the isolation.Īn app developer will never be able to dictate to the other app developers how this should be done and I can only see it ever happening if the basics are implemented in the core. Its not going to happen as it would be a nightmare to implement and support. If its not a common method in the core then any metadata/linkage developer will have to interface to all other apps and know there data structure. Its just a foreign key of entity_id & entity_type against filesystem_id and the simplistic base structure needs to be in the core. The files and folders are central to all apps and we should be able to link app entities against a file or folder. I do however think metadata about the files and folders is missing and a logical step overlooked. I don’t think at all it should include project management or there to be need of a next step. Until it is fixed, it would be dangerous to trust ProjectLibre with serious projects.My opinion is that Nextcloud is fundamentally a file sharing and storage app. This is really fundamental functionality. And then repeat for all problems in the schedule. You have to double-click on the link from 19 to 20 again, then choose "Ok" to close the window again, before the critical path updates to red. But even then it is not shown in red as critical. The critical path is the path through the network that results in the latest completion date of the project. The workaround is to double-click on the link from 19 to 20, then just select "Ok" to close the popup, and then task 20 moves after 19. You can the bug clearly in this example:Īmong many other examples in the file, task 19 is linked finish to start to task 20, so task 20 should come after task 19, but it does not. The bug seems quite straightforward, a simple lack of update, so hopefully would be fixable by someone able to dig into the code a bit. Fix for ProjectLibre incorrect critical path. I posted this question a couple times on the ProjectLibre SourceForge issue tracker, but the developers kept deleting it, so I am looking for someone that is both PM and SW knowledgeable that could help. I asked the developers about the bug, however they are working on a paid cloud version and don't plan to fix the desktop version. I know it's not much, but I'd be willing to contribute a couple hundred dollars to a solution. I'm wondering if anyone has a simple solution I've missed, or would be willing to look at the source code (on SourceForge) to find a fix. I'm a big open source supporter, and want to switch from MS Project to ProjectLibre, however it does not display the critical path correctly for projects above a certain size. ![]() The intertidal flats in all tidal basins increased in height to compensate for SLR. The barrier islands, the ebb-tidal deltas and the tidal basins that comprise tidal channels and flats together form a sediment-sharing system. The residual sediment transport between a tidal basin and its ebb-tidal delta through the tidal inlet is influenced by different processes and mechanisms. ![]() In the Dutch Wadden Sea, residual flow, tidal asymmetry and dispersion are dominant. The interaction between tidal channels and tidal flats is governed by both tides and waves. The height of the tidal flats is the result of the balance between sand supply by the tide and resuspension by waves.Īt present, long-term modelling for evaluating the effects of accelerated SLR mainly relies on aggregated models. These models are used to evaluate the maximum rates of sediment import into the tidal basins in the Dutch Wadden Sea. These maximum rates are compared to the combined scenarios of SLR and extraction-induced subsidence, in order to explore the future state of the Dutch Wadden Sea.įor the near future, up to 2030, the effect of accelerated SLR will be limited and hardly noticeable. Over the long term, by the year 2100, the effect depends on the SLR scenarios. According to the low-end scenario, there will be hardly any effect due to SLR until 2100, whereas according to the high-end scenario the effect will be noticeable already in 2050. In an era of rising seas and other challenges posed by climate change, coastal regions like the Netherlands are facing ever graver threats. Strategic sand nourishments could mitigate the threat of coastal erosion and sea level rise on barrier island coasts while limiting ecological impacts. However, insufficient knowledge of sediment transport pathways at tidal inlets and ebb-tidal deltas prevents an informed response in these areas. The main goal of this project was to describe and quantify the pathways that sediment takes on an ebb-tidal delta. ![]() To reach this goal, we focused our analyses on Ameland ebb-tidal delta in the Netherlands. Before we could begin to tackle this challenge, we needed to develop new tools and techniques for analyzing a combination of field measurements and numerical models. These include a method for analyzing the stratigraphy and mapping the morphodynamic evolution of ebb-tidal deltas, a new metric for characterizing suspended sediment composition, and innovative use of sediment tracers. We also established a quantitative approach for looking at and thinking about sediment pathways via the sediment connectivity framework, and developed a Lagrangian model to visualize and predict these pathways efficiently. The techniques developed here are useful in a wider range of coastal settings beyond Ameland, and are already being applied in practice. We foresee that the main impacts of this project will be to improve nourishment strategies, numerical modelling, and field data analysis. This dissertation also points forward to numerous opportunities for further investigation, including the continued development of the connectivity framework and SedTRAILS. ![]() By managing our coastal sediment more effectively, we will set the stage for a more sustainable future, in spite of the challenges that lie ahead. 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Combining this to the AI and the design, UoC is very addictive and offers a great deal. Not content to sit on their laurels, the developers have also built an excellent multiplayer mode. Hats off to a small team for coming up with a robust AI system, ensuring a number of the difficult maps need repeated attempts. It is a greatly superior piece of programming. The AI is very impressive indeed and has the ability to maintain an excellent supply line, play to its strengths whilst defending a soft point, isolate a weakness and aggressively attack it without compromising its own forces. Earned through good performance, these points can be used during missions to provide reinforcements and other advantages, but when utilised, the cost is subtracted by the end score. Further to this, an excellent mechanic incorporated is that of ‘prestige points’. Whilst the game’s hardest difficulty is something akin to a strategic version of Dark Souls (I.E bloody hard), the lesser awards and mission completion is achievable for most with some practice. Success is scored as a ‘brilliant’ (equivalent of a gold medal), ‘decisive’ (silver) and just ‘victory’ (bronze).ĭepending on the player’s performance, points will then be awarded. Awards are given at the end of each mission and reflect the ability of the player to recreate the historically accurate objectives in appropriate time. ![]() Progress is rewarded in two different but related formats points and awards. Difficulty is well designed, as geography, supply and weather plays a major influence in the player’s progression, and results in making UoC a satisfying process to master. In doing so, the developers have allowed the player to focus on the aspects that make strategy fun (with a commendable planning: action ratio). 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You begin the game with the choice of two vessels. Yes, it screams indie game in style and gameplay, but it has a high-end finish I don’t always associate with this market. I have to say for an Alpha build game it’s thoroughly impressive how well the developer has done. The demo allows you to experience everything that has been created. Sail Forth in a great shape for an Alpha title. You will sail to different locations, identify new islands, and assist people you encounter. You control the captain of a vessel who is free to explore the wonderful and massive deep blue sea. I instantly downloaded the demo and waited patiently for Sail Forth to install.ĭeveloped by David Evans and published by the Quantum Astrophysicists Guild, this is a procedurally generated adventure title. Watching the trailer, I fell for the cartoon graphics and bright colours. There are plenty of demos and games to choose from, but one, in particular, caught my eye. I’m always keen to see what the future holds, so when Xbox announced its Game Fest I couldn’t wait to get started. They allow developers creations to flourish and can usually be produced with much smaller budgets and man-hours than triple-A titles. And I just lose 1 ship on my fleet.Indie games are much-loved across the industry. IIRC, before and after the fight cost me not more than 5k (around that time I have ~25k in reserve). I don't remember at what cost I spend on this skirmish. Oh, be aware of wind direction before picking up the fight! When a pirate ship is alone, I sail my main ship in a circle around her, concentrate on repairing fire on board, and let my other 3 AI ships do the job. Lure her out of the group to fight in an open sea (don't go near land). The trick of this fight is to pick up enemy ship one at a time. I also set a threshold for auto repair to 80% health. Mods are build just for going fast (sail, whip, oar), ignoring the fire suspension. My outfit across all ships are the same: 3 heavy long range guns with wheels, 2 quick reload gatling guns, and 3 120-degree guns. I use 4 Xebecs, since they are fairly fast, maneuverable, and carry moderate weight. To be honest, it was hard for me too, since it cause me to reload the game 3 times before I get it right. Has anyone else experienced this? Any tips for making fighting cheaper? Now I have to go back to low-level areas to grind up enough parts to recover my lost ships, breaking boxes for 20-30 parts at a time. ![]() Rewards of 300 parts + maybe 200 parts in items per ship, that's about 3500 parts reward for spending 20k parts to actually fight, so a reward of -16.5k. In addition, it will cost 9k ship parts to recover my lost ships, a total of 20k. I ended up winning with just 30/200 hp, having spent 11k ship parts on repairs across my fleet. I eventually ran out of ship parts and had to scuttle a derelict ship to do one final repair to face the last enemy. With only 1 ship left, I ended up sailing around killing the other ships having to spam repair constantly. I got unlucky and that 4% happened, my boarding failed and the enemy ship healed like 200 hp. The UI said I had a 96% change to succeed in boarding, so I went ahead. ![]() I decided to try and capture an enemy ship, so I got it to very low HP, got close and boarded. I lost 3/4 ships taking out the first 4/7 ships. It costs 600-800 ship parts to repair my ship. The enemy ship AI is much better and never runs into the ground, whereas my ship AI is constantly blocking me, running into each other or the ground, and generally not doing a good job with aim or damage. Each of the enemy ship does a full broadside instantly and deals 150hp damage at long range. The enemy ships also have very long range attacks, auto-aim, and instantly cause fires on my ships (even with waterlogged mod). ![]() The enemy ships ignore the wind, and can sail with full square sails at top speed directly into the wind. So I was fighting pirates to unlock the "best emporium". |